CAST AND CREATIVE.

Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals, from Joseph and the Amazing Technicolor Dreamcoat (1969) to Bad Cinderella (2022). Lloyd Webber has had shows running continually in the West End for 50 years and on Broadway for 43. 

When Sunset Boulevard joined School of Rock, Cats, and The Phantom of the Opera he equalled Rodgers & Hammerstein’s record of four shows running simultaneously on Broadway. He is one of the select group of artists with EGOT status, having received Emmy, Grammy, Oscar, and Tony Awards. 

Lloyd Webber owns six London theatres including the iconic London Palladium and Theatre Royal, Drury Lane. Reopened in July 2021, the latter was completely restored and renovated at a cost of over £60 million. It was one of the biggest projects ever undertaken by a private theatre owner in recent times. His mantra is that every penny of profit made from his theatres is ploughed back into the buildings. 

Lloyd Webber is passionate about the importance of musical education and diversity in the arts. The Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented students with financial need and supports a range of projects, such as the Music In Secondary School Trust and commissioning research into diversity in theatre. 

Andrew Lloyd Webber has composed anthems for the 1978 World Cup in Argentina and for two Olympic ceremonies, including Amigos Para Siempre the official song of the 1992 summer games in Barcelona. He wrote Let Us Love In Peace for the aftermath of the attacks on The World Trade Centre, and wrote and performed Sing with Gary Barlow at Queen Elizabeth II’s Diamond Jubilee in 2012. 

Andrew Lloyd Webber was knighted in 1992 and created an honorary life peer in 1997.

Don received two Tony Awards for Best Book and Lyrics of a Musical for his work (with Christopher Hampton) on Sunset Boulevard, which marked his third collaboration with Andrew Lloyd Webber. They first joined forces to write the song cycle Tell Me On A Sunday, which developed to form the basis of the stage show Song and Dance. They were reunited again for Aspects of Love. He also wrote the lyrics for the Andrew Lloyd Webber produced Bombay Dreams. 

Awards include an Oscar for his song Born Free; five Academy Award nominations; two Tony Awards and three Tony Award nominations; six Ivor Novello Awards; a Golden Globe; and many platinum and gold discs.

 He has written a quintet of James Bond theme songs: Thunderball; Diamonds Are Forever; The Man With The Golden Gun; Surrender from Tomorrow Never Dies;The World Is Not Enough. Among his many popular songs are two U.S. Number Ones – Ben for Michael Jackson and To Sir With Love for Lulu. 

He was inducted into the Songwriters Hall of Fame in 2008. In The Queen’s Honours List he received the Order of the British Empire. Earlier this year he was awarded an Olivier Award for his outstanding services to theatre. Most recently he wrote his critically acclaimed memoir The Sanest Guy In The Room, which featured in the Sunday Times Bestsellers list. His musical of Bonnie and Clyde had a successful West End run at the Garrick Theatre and his next project which he wrote with Christopher Hampton and George Fenton is a musical version of the classic film The Third Man.

Christopher became involved in theatre while studying French and German at Oxford University, and wrote a play in his first year. The Royal Court’s subsequent production was so successful that it transferred to the Comedy Theatre while he was still a student, making him the youngest writer ever to have a play performed in the West End – a record which still stands. He said at the time that he also hoped to become the oldest writer to have a play in the West End, an ambition he has yet to achieve. 

His plays, musicals and translations have so far garnered four Tony Awards, three Olivier Awards, four Evening Standard Awards and the New York Theatre Critics’ Circle Award; prizes for his film and television work include two Oscars; three BAFTAs; a Writer’s Guild of America Award; the Prix Italia; a Special Jury Award at the Cannes Film Festival; Hollywood Screenwriter of the Year; and The Collateral Award at the Venice Film Festival for Best Literary Adaptation. 

His musicals include Sunset Boulevard, Dracula The Musical, Stephen Ward; and most recently The Third Man, all with Don Black. Many translations include the German musical based on Daphne du Maurier’s Rebecca, opening September 2023. 

Hampton’s screenplays include The Son; The Father; Perfect Mothers; A Dangerous Method; Chéri, Atonement; Imagining Argentina (which he also directed); The Quiet American; The Secret Agent (which he also directed); Mary Reilly; Total Eclipse; Carrington (the first film he also directed).

FOR THE JAMIE LLOYD COMPANY: The Effect (National); A Doll’s House (Hudson, New York; six Tony Award nominations including Best Director and Best Revival of a Play; Drama League Award for Outstanding Revival of a Play and nomination for Outstanding Direction of a Play); The Seagull (Playhouse and Harold Pinter; Evening Standard Award nomination for Best Director); Cyrano de Bergerac (Playhouse, Harold Pinter, Theatre Royal Glasgow and Brooklyn Academy of Music, New York; Drama League Award nominations for Outstanding Revival of a Play and Outstanding Direction of a Play; Olivier Award for Best Revival; Evening Standard Award nomination for Best Director; WhatsOnStage Award nomination for Best Director); Betrayal (Harold Pinter and Bernard B. Jacobs, Broadway; Tony Award nominations for Best Director and Best Revival of a Play; Critics’ Circle Award for Best Director; Evening Standard Award nomination for Best Director; Drama League Award nomination for Outstanding Revival of a Play; Outer Critics’ Circle Award nominations for Best Director and Best Revival of a Play; WhatsOnStage Award for Best Play Revival); One for the Road, The New World Order, Mountain Language, The Lover, The Collection, Landscape, A Kind of Alaska, Monologue, Party Time, Celebration, A Slight Ache, The Dumb Waiter (Harold Pinter); The Maids, The Homecoming, The Ruling Class, Richard III, The Pride, The Hothouse, Macbeth (Trafalgar Studios).

THEATRE CREDITS INCLUDE: Evita (Regent’s Park Open Air; Evening Standard Award for Best Musical Revival; Critics’ Circle Award for Best Director; Olivier Award nomination for Best Revival of a Musical; WhatsOnStage Award nominations for Best Director and Best Musical Revival); The Pride (Royal Court; Olivier Award for Outstanding Achievement in an Affiliate Theatre); Inadmissible Evidence (Donmar); Passion (Donmar; Evening Standard Award for Best Musical; Olivier Award nomination for Best Musical Revival); Piaf (Donmar, Vaudeville, Teatro Liceo, Buenos Aires and Nuevo Teatro Alcalá, Madrid; Olivier Award nomination for Best Musical Revival, Hugo Award for Best Director, Clarin Award for Best Musical Production; ADEET Award for Best Production); The Little Dog Laughed (Garrick); Three Days of Rain (Apollo; Olivier Award nomination for Best Revival; WhatsOnStage Award nomination for Best Revival); The Lover and The Collection (Comedy); Salome (Headlong); Eric’s (Liverpool Everyman); The Caretaker (Sheffield Crucible and Tricycle).

RADIO CREDITS INCLUDE: Heart of Darkness (BBC Radio 4).

Instagram @jamielloyd

FOR THE JAMIE LLOYD COMPANY: A Doll’s House (Hudson, NY); Cyrano De Bergerac (Playhouse/ Harold Pinter/ Glasgow Theatre Royal/ Brooklyn Academy of Music, NY); Betrayal (Broadway/ Harold Pinter); The Seagull, Pinter at the Pinter, The Lover, The Collection (Harold Pinter); Apologia, Richard III, The Maids, The Homecoming, Macbeth (Trafalgar Studios).

THEATRE CREDITS INCLUDE: The Effect (National); Further Than The Furthest Thing (Young Vic); The Secret Life Of Bees, Macbeth, Reasons to be Pretty (Almeida); Running With Lions, Out West (Lyric Hammersmith); To The Streets (Birmingham Hippodrome); Merrily We Roll Along (Hudson, NY); Running With Lions, Out West, Angels in America (Lyric); Romeo and Juliet (National/ Lyttelton Films); & Juliet (Shaftesbury/ Stephen Sondheim, NY); Evita (Regents Park Open Air); Timon of Athens (RSC/ TFANA Brooklyn); Guys and Dolls(Manchester Royal Exchange); The Band’s Visit, Knives in Hens, Inadmissible Evidence (Donmar Warehouse); Piaf (Donmar Warehouse/ Teatro Liceo); The Guards at the Taj (Bush); My Brilliant Friend (National/ Kingston Rose); Pitchfork Disney, Killer (Shoreditch Town Hall); Moon On a Rainbow Shawl, Twelfth Night, Les Blancs (National);  Who’s Afraid of Virginia Woolf? (Crucible/ Northern Stage); I See You, The Pride (Royal Court); Assassins, Merrily We Roll Along (Menier Chocolate Factory/ NYTW, Broadway); Bull (Young Vic); Reasons To Be Happy (Hampstead); Urinetown (St James/ Apollo); The Crucible, Duchess of Malfi (Old Vic); The Birthday Party (Sheffield Crucible/ Northern Stage), The Caretaker (Sheffield Crucible/ Tricycle); Our Friends in the North, Ruby Moon, Son of Man (Northern Stage); The Commitments (Palace); From Here To Eternity (Shaftesbury).

OPERA CREDITS INCLUDE: Breaking The Waves (Scottish Opera); Jack the Ripper (ENO); The Turn of the Screw (Regent’s Park Open Air); Quartett, Iris (Royal Opera House); Iris (Opera Holland Park); Carmen, Saul, Hansel and Gretel, Anna Bolena, Don Giovanni, Cosi Fan Tutte (Opera North); Mary Stuart, The Birds, Trouble in Tahiti (English Touring Opera).

THEATRE CREDITS INCLUDE: In Dreams (Leeds Playhouse); Cabaret (Lido 2 Paris); The SpongeBob Musical (UK Tour/Royal Festival Hall); Kathy and Stella Solve A Murder (Bristol Old Vic/HOME/Underbelly/Roundabout); Wicked (Stage Theater Neue Flora Hamburg); Bring It On (Royal Festival Hall); Evita (Regent’s Park Open Air; Olivier Award nomination for Best Theatre Choreography; WhatsOnStage Award nomination for Best Choreography; The Stage Award nomination for Best Creative West End Debut); Cinderella: A New Musical (Nuffield Southampton); The View Upstairs (Soho; WhatsOnStage Award nomination for Best Off-West End Production); Carousel (Cadogan Hall); The Rink (Southwark Playhouse; Off West End Award for Best Choreography); Madagascar the Musical (UK, US, Australian & New Zealand Tour); On the Town (BBC Proms); Working (Southwark Playhouse); Our House (UK Tour; WhatsOnStage Award nomination for Best Choreography); The 24-Hour Musical (Old Vic); Bright Lights, Big City (Hoxton Hall); The Theatre Channel – Stephen Schwartz. 

TRAINING: Victorian College of the Arts

THEATRE CREDITS INCLUDE: Crazy for You (Gillian Lynne/ Chichester Festival); Elf (Dominion); Funny Girl (August Wilson, New York); Hairspray (London Coliseum); The Boy in the Dress (Royal Shakespeare Company); Evita (Regent’s Park Open Air); Aladdin (Prince Edward); Big Fish (The Other Palace); Funny Girl (Menier Chocolate Factory/ Savoy/ UK Tour/ Digital Media); A Damsel in Distress (Chichester Festival); Assassins (Menier Chocolate Factory); Urinetown (St. James/ Apollo); The Commitments (Palace/  UK Tours); A Chorus Line (London Palladium); Shrek (Theatre Royal Drury Lane/ UK & Australia Tours); The 25th Annual Putnam County Spelling Bee, Passion (Donmar Warehouse); Spamalot (Palace). WORKSHOP CREDITS INCLUDE: Billy Elliot; The Go-Between; Sin; Catch Me If You Can; King Ralph.

OTHER CREDITS INCLUDE – AS ARRANGER & ORCHESTRATOR: Overture of Overtures – 50 Years of Broadway at Kennedy Center (Recording).

AS PRODUCER: The Boy in the Dress: Original Cast Recording. AS CONDUCTOR: Funny Girl: London Cast Recording).

STUDY: Chetham’s School of Music; Guildhall School of Music & Drama.

THEATRE CREDITS INCLUDE: Patriots (Noel Coward/ Almeida); Best of Enemies (Noel Coward); Caroline, or Change (Roundabout, NY/ Playhouse); The Importance of Being Earnest (Vaudeville); Beginning (Ambassadors/ National); The Lion, the Witch and the Wardrobe (Gillian Lynne/ UK Tour/ Birmingham Rep); Top Girls, Cleansed (National); Private Lives, Committee (Donmar Warehouse); Romeo and Julie (National/ Sherman); Barber Shop Chronicles (World Tour/ Roundhouse/ National; Knight of Illumination Award); Venice Preserved (Royal Shakespeare Company); Spring Awakening, The Duchess of Malfi, Three Sisters, Shipwreck, Carmen Disruption (Almeida); Glass. Kill. Bluebeard. Imp, The End of History, Instructions for Correct Assembly (Royal Court); Good Vibrations (Irish Arts Centre, NY/ Belfast Lyric); The Greatest Play in the History of the World (Traverse/ Trafalgar Studios/ Royal Exchange/ UK Tour); Junkyard, Pygmalion (Headlong); Light Falls, The Producers, A Streetcar Named Desire, Wit (Royal Exchange); Anna Karenina (Sheffield); Wonderland (Nottingham Playhouse); Mary Stuart, The Beacon (Staatstheater Stuttgart); 4.48 Psychosis, Happy Days (Schauspielhaus Hamburg); The Forbidden Zone (Salzburg Festival); A Sorrow Beyond Dreams (Vienna Burgtheater); Lungs, Yellow Wallpaper (Berlin Schaubühne).

OPERA CREDITS INCLUDE: The Seven Deadly Sins/Bluebeard’s Castle (Teatro Colón); La Bohéme (Gothenburg Opera).

TRAINING: Central School of Speech and Drama.

THEATRE CREDITS INCLUDE: The Wizard of Oz (London Palladium/ Leicester Curve); Billy Elliot (Leicester Curve); Lizzie The Musical, Cinderella (Hope Mill); The Last Five Years (Garrick/ Southwark Playhouse); The Show Must Go On! (Palace); The Phantom of the Opera (Christmas/ Athens & Thessaloniki Concert Hall); The Lord of the Rings, Our Man in Havana (Watermill); Into the Woods (Bath Theatre Royal); Beauty and the Beast (Nottingham Playhouse); The View Upstairs, Soho Cinders (Soho); What I Go To School For – The Busted Musical (Brighton Theatre Royal).

CONCERT CREDITS INCLUDE: Evita, Love Never Dies (Theatre Royal Drury Lane).

AS ASSOCIATE SOUND DESIGNER: Les Misérables (Sondheim/ Imperial/ International); Miss Saigon (Prince Edward/ Broadway/ International); Sunset Boulevard (Palace, NY) School of Rock (Gillian Lynn).

OTHER CREDITS INCLUDE: Light in the Piazza (Royal Festival Hall); Man of La Mancha (London Coliseum); Chess, Carousel (West End); Cats (Broadway /US Tour); Wizard of Oz (Toronto/ US Tour); Ich War Niemals in New York (Stuttgart); The Phantom of the Opera (US Tour/ His Majesty’s); Barnum (Chichester Festival/ UK Tour); After You, Henrietta The Musical (Cast Recording; Producer/ Engineer).

CONCERT CREDITS INCLUDE: Les Misérables 25th Anniversary (O2 Arena); The Phantom of the Opera 25th Anniversary (Royal Albert Hall).

Nathan is a co-founder and Director of The Umbrella Rooms. He has worked on shows around the world with a base in London, New York and Sydney. As a director / editor of filmed content for theatre most recent work includes – A Doll’s House (Broadway), Cabaret (West End), 42nd Street (UK Tour), In Dreams (UK & Toronto), Sound Of Music (Chichester), Next To Normal (West End), Pretty Woman (West End & UK Tour), 222 A Ghost Story (West End), I Should Be So Lucky (Manchester & UK Tour), Benjamin Button (Southwark), Once On This Island (Regents Park), &Juliet (Melbourne, Toronto & Broadway), Parade (Broadway), Funny Girl (Broadway), Shucked (Broadway), New York New York (Broadway), Mamma Mia (Australian Tour), Newsies (Wembley), Joseph And His Technicolour Dreamcoat (Melbourne), Tina AUS (Sydney), Miss Saigon (Sydney Opera House), A Beautiful Noise (Broadway), Assassins (Chichester), A Streetcar Named Desire (West End), The Third Man (Menier), Mind Mangler (UK Tour), Cyrano De Bergerac (West End & Broadway), Heathers (West End), Six (West End), Rent (Manchester), Jesus Christ Superstar (Regents Park), Magic Mike (UK & Melbourne), Phantom of The Opera (International Tour), Matilda (International Tour) and more.

During lockdown live-streamed theatre across the globe seen in 72 countries by over 400,000 people, including Mischief Movie Night In, The Band Plays On for Crucible Theatre, Crave for Chichester Festival Theatre, RENT for Hopemill theatre, Sailsbury Playhouse, Orange Tree Theatre and a string of live concerts.

Joe is a director and cinematographer working mainly in the commercial sector. He also works extensively in Theatre, both in the West End and on Broadway shooting trailers and promos for some of the industry’s most prestigious shows.

His work has taken him worldwide and his clients include, Disney, Discovery, ITV, BBC, Sipsmith, Puma, Amazon, DHL, EE, Tesla, Meantime, BT, Manchester City, Wagamama, Pokemon, Sony, Playstation, Nintendo, and Tag Heuer.

FOR THE JAMIE LLOYD COMPANY: The Seagull (Harold Pinter); Cyrano de Bergerac (Playhouse/ Harold Pinter/ Glasgow Theatre Royal/ Brooklyn Academy of Music, NY); Betrayal (Harold Pinter/ Bernard B. Jacobs, Broadway); Pinter at the Pinter Season (Harold Pinter); Doctor Faustus (Duke of York’s); The Maids; The Homecoming; The Hothouse; The Ruling Class; Richard III; Macbeth; The Pride (Trafalgar Studios); East is East (Trafalgar Studios; Casting Director’s Guild Award for Best Casting in Regional Theatre).

THEATRE CREDITS INCLUDE: Standing at the Sky’s Edge (Gillian Lynne/ National/ Sheffield Crucible); White Christmas (Sheffield Crucible); Sylvia (Old Vic);  Cabaret (Kit Kat Club/ Playhouse; Casting Director’s Guild Award for Best Casting in Musical Theatre); & Juliet (Shaftesbury); The Drifters Girl (Garrick); Sister Act (UK Tour/ Eventim Apollo); Miss Saigon; Rock, Paper, Scissors; She Loves Me; Guys and Dolls (Sheffield Crucible); Joseph and the Amazing Technicolor Dreamcoat (London Palladium/ Toronto/ UK Tour); East is East (Birmingham Rep/ National); Singin’ in the Rain (Sadler’s Wells/ International & UK Tours).

FILM CREDITS INCLUDE: Everybody’s Talking About Jamie.

TELEVISION CREDITS INCLUDE: The Ashley Madison Affair; Dance 100; Locked Up Abroad; Dr Seuss’ The Grinch Musical!.

THEATRE CREDITS INCLUDE: Blues for an Alabama Sky, Rockets & Blue Lights, Death of England: Delroy, Death of England, Small Island, Nine Night, Barber Shop Chronicles, Pericles, Angels in America, Les Blancs, Ma Rainey’s Black Bottom (National); Best of Enemies (Noel Coward); Cock (Ambassadors); To Kill A Mockingbird (Gielgud) Get Up Stand Up! (Lyric); The Glass Menagerie (Duke of York’s); Constellations (Vaudeville); 2:22 (Noel Coward/ Apollo); Death of a Salesman (Piccadilly); Caroline, or Change (Playhouse/ Hampstead/ Chichester Festival); Uncle Vanya (Harold Pinter); Tina: The Tina Turner Musical (Aldwych); Dreamgirls (Savoy) The Goat, or Who is Sylvia? (Theatre Royal Haymarket); seven methods of killing kylie Jenner, ear for eye, A Kind of People, Poet in Da Corner, Grimly Handsome, Pigs & Dogs, Cuttin’ It, Father Comes Home from the Wars (Royal Court); Mandela, Best of Enemies, Changing Destiny, Fairview, Death of a Salesman, The Convert, The Mountaintop, The Emperor, Cuttin’ It (Young Vic); The Doll’s House Part II, Marys Seacole, Love and Other Acts of Violence (Donmar Warehouse); Jitney ( Old Vic); Richard II (Sam Wanamaker Playhouse); Guys and Dolls, Girls (Talawa Theatre Company/ Soho Theatre / Manchester Royal Exchange); The Death of a Black Man (Hampstead); Eclipsed (Gate); A Midsummer Night’s Dream (Shakespeare North).

FILM CREDITS INCLUDE:The Ministry of Ungentlemanly Warfare; Drift; The Silent Twins; Ear for Eye; Aisha; Death on the Nile; The Commuter; 

TELEVISION CREDITS INCLUDE: Silo; THe Power; Anansi Boys; Small Axe; In the Long Run.

OTHER CREDITS INCLUDE: A Visible Man by Edward Enninful.

AS PERFORMER: Here We Go, As You Like It, Medea, Death and the King’s Horseman (National); The Bakkhai (Almeida); The Tempest (Royal Shakespeare Company); The Bacchae (Scotland National/ Lincoln Center, Broadway); The Sleeping Beauty (Young Vic/ Barbican/ New Victory Broadway); Noise (BBC Radio 3); Death and the King’s Horseman, Something Understood, Solomon Child (BBC Radio 4).

FOR THE JAMIE LLOYD COMPANY: Cyrano de Bergerac (Playhouse/ Harold Pinter/ Glasgow Theatre Royal/ Brooklyn Academy of Music, NY); The Maids, Macbeth, Richard III, East Is East, The Ruling Class, The Hothouse, The Pride (Trafalgar Studios).

THEATRE CREDITS INCLUDE: The Effect, Much Ado About Nothing, Small Island, Salome, The Plough and the Stars, Othello, As You Like It, Our Country’s Good, Rules for Living, Hotel, The Curious Incident of the Dog in the Night-Time, The Comedy of Errors, One Man Two Guvnors, Frankenstein, Season’s Greetings, Hamlet, Women Beware Women, War Horse (National); Guys and Dolls, La Belle Sauvage, A Midsummer Night’s Dream, Young Marx, Julius Caesar (Bridge); Secret Life of Bees, Macbeth (Almeida); Tina – The Musical (Aldwych/ Germany); The Lieutenant of Innishmore (Noel Coward); King Lear (Chichester Festival/ Duke of York’s); Kiss Me Kate (Sheffield Crucible); The Convert (Young Vic); Hand To God (Vaudeville); The Last Goodbye (Old Globe/ San Diego/ California); Lord of the Flies, Romeo & Juliet, Hamlet (Leeds Playhouse); Liberian Girl (Royal Court); Black Comedy, King Lear, Urinetown The Musical (St James/ Apollo); Don Giovanni (Royal Opera House); From Here To Eternity (Shaftesbury); Private Lives, Henry IV, Sweat (Donmar);  Julius Caesar, Henry IV (St. Ann’s Warehouse/ Donmar);  Henry V, Romeo & Juliet, Mabeth, Two Noble Kinsmen, Hamlet, Titus Andronicus, King Lear, Love’s Sacrifice, Doctor Faustus (Royal Shakespeare Company); Noises Off (Old Vic/ Garrick);  The Duchess of Malfi, Sweet Bird of Youth (Old Vic); Rock Follies, Assassins (Chichester Festival Theatre); Antigone, Jesus Christ Superstar, Peter Pan, Seven Brides For Seven Brothers, A Midsummer Night’s Dream, Porgy & Bess, Lord of the Flies (Regent’s Park Open Air); Disgraced (Bush); Bugsy Malone, Saved, Blasted, Herons (Lyric Hammersmith).

TELEVISION CREDITS INCLUDE: Coronation Street, Emmerdale, Hollyoaks.

FILM CREDITS INCLUDE: My Policeman, Death of England: Face to Face; Making Noise Quietly, Pond Life.

THEATRE CREDITS INCLUDE: Dreaming and Drowning (Bush); Choir Boy (Bristol Old Vic); Shooting Heddar Gabler (Rose); That Face (Orange Tree); The Effect, Phaedra, (National); Tina – The Tina Turner Musical (Aldwych); La Cage Aux Folles, Robin Hood, The Tempest, Every Leaf A Hallelujah, Once On This Island, Antigone, 101 Dalmatians, Legally Blonde, Carousel, Romeo and Juliet (Regent’s Park Open Air; Intimacy Support Season Associate);The Meaning of Zong (Barbican/ Bristol Old Vic/ UK Tour); Blue (ENO); Further Than The Furthest Thing (Young Vic); Trouble in Butetown (Donmar Warehouse); Es & Flo (Wales Millennium Centre/ Kiln); Super High Resolution, Typical (Soho); Enough of Him (Scotland National); A Dead Body In Taos (Fuel); The Darkest Part of The Night, Girl on An Altar (Kiln); Playboy of the West Indies (Birmingham Rep); Moreno (Theatre 503); Red Riding Hood (Stratford East); Antigone (Colchester Mercury); Liminal – Le Gateau Chocolat (King’s Head); Liar Heretic Thief (Lyric Hammersmith); Reimagining Cacophony (Almeida); First Encounters: The Merchant Of Venice, Kingdom Come (RSC); Josephine (Bath Theatre Royal); #WeAreArrested (Arcola/ RSC); The Border (Theatre Centre);

AS ASSOCIATE MOVEMENT DIRECTOR: The Fantastic Mr. Fox (Nuffield Southampton/ Nation & International Tour); Hamlet, #DR@CULA! (RCSSD).

THEATRE CREDITS INCLUDE – AS COSTUME SUPERVISOR The Snail House (Hampstead); Nutcracker (Matthew Bournes’ New Adventures); My Fair Lady (West End and UK Tour); Blithe Spirit (Bath Theatre Royal, UK Tour and Duke of York’s); Imperium West End (Gielgud); Little Eyolf (Almeida); Ghosts (Almeida, Brooklyn Academy of Music New York); In Praise of Love (Bath Theatre Royal); The Stepmother, An Enemy of the People, Nicholas Nickleby, Hobson’s Choice (Chichester Festival); Enron, 1984 (Headlong) On the Town, Sir John In Love, King Arthur (English National Opera); Anastasia, Swan Lake, Coppelia (Royal Ballet); Return of Ulysses, Berenice, Don Carlos, Boris Godanov, Rigoletto (Royal Opera).

AS ASSOCIATE COSTUME DESIGNER Mary Poppins (Prince Edward, UK Tour, New Amsterdam); Oliver! (Theatre Royal Drury Lane, UK Tour); Les Misérables in Concert: The 25th Anniversary (O2).

OTHER CREDITS INCLUDE: Imagination Ltd (Designer); Shell Dubai Events 2018/2022 (Design and Supervision); Harry Potter 3 DVD Launch (Supervisor); Ford, Madza (International Motor Shows).

FOR THE JAMIE LLOYD COMPANY: Cyrano de Bergerac (Playhouse); Evita (Regent’s Park Open Air); Pinter One, Pinter Two, Pinter Five, Pinter Six (Harold Pinter).

THEATRE CREDITS INCLUDE: Brokeback Mountain (@sohoplace); Free Your Mind (Manchester International Festival); My Neighbor Totoro (Barbican); Confessions (The Other Palace); Matthew Bourne’s Romeo and Juliet, Edward Scissorhands (Sadler’s Wells and UK Tour); Quiz, Voyage Around My Father, Peaky Blinders (UK Tour); The Score (Theatre Royal Bath); The Car Man (Royal Albert Hall); Southbury Child, Guys & Dolls (Bridge); Tammy Faye, Wild Duck (Almeida); Swan Lake, Sleeping Beauty, The Red Shoes (Matthew Bourne’s New Adventures); The Lion King (Lyceum); Jesus Christ Superstar (UK tour and Broadway); Sunset Boulevard, Bombay Dreams (Apollo Victoria and Broadway); Joseph, Made in Dagenham (Adelphi); The Producers, Oliver!, Shrek (Theatre Royal Drury Lane); Miss Saigon (Prince Edward); Spamalot (Playhouse); Sister Act (London Palladium); Hairspray (Shaftesbury); School of Rock (Gillian Lynne); Julius Caesar, Night Fall, Midsummer Night’s Dream, A Number, Beat the Devil, Talking Heads, Hairspray, Bach & Sons (Bridge); Company (Gielgud); Evita (Regent’s Park Open Air); Blithe Spirit (Bath Theatre Royal); Leopoldstadt (Wyndham’s); Prince of Egypt (Dominion); 9 to 5 (Savoy); Nutcracker; The Good Life.

OTHER: In the last twenty years, Lily has worked on over 270 shows in the West End, on Broadway & beyond. Lily has spent ten years running the props department at Shakespeare’s Globe and fifteen years as Props Supervisor for Matthew Bourne’s New Adventures.

FOR THE JAMIE LLOYD COMPANY: Cyrano de Bergerac (Playhouse/ Harold Pinter); Pinter Six, Pinter Seven (Harold Pinter); The Ruling Class (Trafalgar Studios). 

THEATRE CREDITS INCLUDE – AS DIRECTOR: Carrie (Royal Welsh College); Six Characters in Search of an Author; Oh What a Lovely War, Candide (Mountview); Sweet Charity (Italia Conti); Dirty Hearts (Old Red Lion); Wendy & Peter Pan (Leeds Playhouse); Edward II, All That I Am, Spring Awakening, Between Riverside & Crazy, Company (Royal Welsh College of Music and Drama); Art, The Robbers, The Mulliners of Hollywood (Drama Studio London); Assassins (Royal Academy of Music); Cabaret (London College of Music); Pericles (LAMDA); Fox (Old Red Lion); Blackbird (The Other Room, Cardiff); The Secret Garden (Ambassadors); Elegies for Angels, Punks and Raging Queens (Charing Cross).

AS ASSOCIATE DIRECTOR: King Lear (Duke of York’s); Glengarry Glen Ross (Playhouse); Evita (Regent’s Park Open Air).

THEATRE CREDITS INCLUDE: Bring It On (Southbank Queen Elizabeth Hall); Miranda: My Such Fun Celebration (London Palladium); Rock of Ages, The Wedding Singer (UK & Ireland Tour); Guys and Dolls (Kilworth House); Sleeping Beauty (Glasgow Kings); Thriller Live! (Lyric/ UK Tour); Pop Factor (UK Tour).

WORKSHOP CREDITS INCLUDE: Club Tropicana.

AS ASSOCIATE: In Dreams (Leeds Playhouse); The SpongeBob Musical (UK Tour); Cabaret (Lido 2 Paris); Wicked (Hamburg).

TELEVISION CREDITS INCLUDE: Strictly Come Dancing; X Factor; Children In Need; The Voice; Britain’s Got Talent; Capital’s Jingle Bell Ball. 

FOR THE JAMIE LLOYD COMPANY: The Ruling Class (Trafalgar Studios). 

THEATRE CREDITS INCLUDE: Come From Away (Phoenix); Big Fish (The Other Palace); Funny Girl (UK Tour); Assassins (Menier Chocolate Factory); Evita (Dominion/ UK Tour); Oliver! (Sheffield Crucible). 

AS MUSICAL DIRECTOR: Oklahoma! (Wyndham’s).

AS KEYBOARD / COVER CONDUCTOR: Chicago (Phoenix); Cats (UK Tour); The Lion King (Musical Theater, Basel).

THEATRE CREDITS INCLUDE: Hamilton (Victoria Palace/ Hamburg Stage Operettenhaus/ UK & Ireland Tour); Tina – The Tina Turner Musical (Stuttgart Apollo); Smokey Mountain Christmas Carol (Southbank Centre); Anything Goes (Barbican/ UK & Ireland Tour); Saving Grace (Riverside Studios); Rent (Hope Mill); Chess (Moscow); The Bodyguard (Stuttgart / Vienna/ France Tour/ UK & Ireland Tour); Annie (Toronto); The Snowman (Peacock/ UK Tour); Xanadu (Southwark Playhouse).

CONCERT CREDITS INCLUDE: The Phantom of the Opera (Moscow); Thompson Twins’ Tom Bailey.

THEATRE CREDITS INCLUDE – AS PRODUCTION MANAGER:  A Strange Loop (Barbican); Farewell Mister Haffmann (Bath Theatre Royal); Smoky Mountain Christmas Carol (Southbank Centre); Would You Bet Against Us? (Birmingham Rep); Head Case, The Shit (Bush); West Side Story (Ljubljana Festival, Slovenia); Charlie and Stan (UK Tour); Through the Mill (Southwark Playhouse). AS STAGE MANAGER: The Book of Mormon (Prince of Wales); Magic Mike Live (Hippodrome Casino); The Band (UK Tour);  The Girls, Bend it like Beckham  (Phoenix);  Britten in Brooklyn (Wilton’s Music Hall); Made in Dagenham, The Bodyguard  (Adelphi); Monty Python Live Reunion (O2 Arena); Batman Live (International Tour).

TRAINING: Royal Academy of Dramatic Art.